23,113 Royalty-Free Audio Tracks for "Audio Files Of Music"

Vi ravviso, o luoghi ameni, extrait de l'opéra La sonnambula de Vincenzo Bellini (1801 - 1835) interprété par Fédor Chaliapine (1873-1938) en 1912.

La Tipica - Polka by Carlo (or Carlos) Curti, originally published in 1895; performed by Trio Romano [i.e., Cibelli's Neapolitan Orchestra], Victor Records, New Jersey

The romantic theme from the first movement of the Pathétique

Sonata no. 15 in d major, op. 28 'pastorale' - iii. scherzo. allegro vivace

Schoenberg - Variations for Orchestra op. 31 tone row.

Bebop dominant scale in C. Created by Hyacinth (talk) using Sibelius 5.

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

Enrico Caruso's performance of "Recondita armonia" from Giacomo Puccini's 1900 opera Tosca. This is Matrix B-8347, recorded 6 November 1909, and released under various labels full details

Ave Maria composed by Charles Gounod. Ave Maria was composed based off of the harmony and texture of Johann Sebastian Bach's Prelude No.1 in C Major from Well-Tempered Clavier Book I (BWV 846).

Kindertotenlieder, III. Wenn dein Mütterlein.

The intermezzo from Enrique Granados's Goyescas, played in an transcription by the U.S. Marine Band for the album Director's Choice.

Symphony No. 6 In B Minor, Op. 74, 'Pathetique' - IV. Finale Adagio lamentoso

Derivated work: Theme B from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma B z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme C from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma C z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme A from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma A z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Derivated work: Theme D from "Almande de don Frederice" (w:Pierre Phalèse), as heared and writted down by User:Kychot Čeština: Téma D z "Almande de don Frederice" (w:Pierre Phalèse), jak je slyšel a zapsal User:Kychot

Kindertotenlieder, V. In diesem Wetter, in diesem Braus.

Landeshymne des österreichischen Bundeslands Vorarlberg

Arthur Fields sings He Comes Up Smiling. Fields recorded this song in 1914 for Columbia Records (78rpm). Arthur Fields singt He Comes Up Smiling. Fields nahm diesen Song 1914 für Columbia auf (78rpm).

Kindertotenlieder, I. Nun will die Sonn' so hell aufgehn.

Kindertotenlieder, IV. Oft denk' ich, sie sind nur ausgegangen.

Kindertotenlieder, II. Nun seh' ich wohl, warum so dunkle Flammen.

Sonata f minor, Domenico Scarlatti, Kirkpatrick 466, Kirnberger temperament, digital harpsichord (Yamaha CLP-470) Sonate f-Moll, Domenico Scarlatti, Kirkpatrick 466, Kirnberger-Stimmung, digitales Cembalo (Yamaha CLP-470)

Fort denn eile (Fly them swiftly). From Die Walküre, second of the four operas of the Ring cycle by Richard Wagner. Act 3. Sung by Johanna Gadski, conducted by Josef Pasternack.

The Harmonious Blacksmith, the final movement, Air and variations, of George Frideric Handel's Suite No. 5 in E major, HWV 430, for harpsichord

Symphony No. 6 In B Minor, Op. 74, 'Pathetique' - I. Adagio, allegro na non troppo

Phleng Chat Siam 1934-1939 (Vocal by Miss Pratum) - Rabbit Gramophone record HA 6003 ไทย: เพลงชาติสยาม พ.ศ. 2477 (รวมเนื้อร้องเต็มสี่ท่อน) ขับร้องโดย น.ส.ประทุม นางเอก แจ๊สแบนด์คณะ ต. เง็กชวน บรรเลง

Four ruffles and flourishes, followed by the Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This combination is used to provide musical honors to senior civilian government officials.

Le roi malgre lui (The King in Spite of Himself): "Danse Slave" performed by the Concert Band of the United States Air Force Band. Track 1 from French Impressions (2000).[1][2]

Himno Nacional de Uruguay National Anthem of Uruguay Национальный гимн Уругвая

Symphony no. 9 in e minor 'from the new world', op. 95 - iii. molto vivace

Cinquième pièce en do, extrait de "l'organiste" de César Franck. Harmonium Alexandre Debain de 1878. Registration : Basse=(5) Dolce, Dessus=(1)Flûte et (4)Hautbois

The "Menuetto" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

The "Intermezzo" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Valsa choro "Falena", composed by Chiquinha Gonzaga and executed by the Grupo Chiquinha Gonzaga (Flute: Antonio Passos. Guitar: Tute. Cavaquinho: Nelson Alves). Recorded in 1913.

The Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This is used to provide musical honors to consuls general accredited to the United States, and is often performed during the posting of the National Colors.

Władysław Tarnowski ps. Ernest Buława (1836-1878) opera "Achmed oder der Pilger der Liebe", „Ballet” z II Aktu, składający się z 3 cześci przeplecionych ze sobą: Khelas (taniec arabski) z Królem i [jego córką] Dolorez na tronach oraz świtą dworską, Gitana (taniec solo z kastanietami), Eros i Psyche (Oto są dwa posągi ogrodowe, budzi się najpierw Eros, opuszcza swój cokół. Budzi Psyche jednym pocałunkiem – pieszczą się w ogrodzie[;] gonitwa za motylem. Wreszcie człowiek zjawia się w ogrodzie, oni biegną szybko do cokołów i na powrót kamienieją.) [Warto tu zwrócić uwagę na obraz Artura Grottgera „Rozmowa posagów” z roku 1865, namalowany w Śniatynce – posiadłości Stanisława Tarnowskiego zwanego „Białym” przyjaciela, mecenasa i modela Artura Grottgera a rodzonego brata kompozytora Władysława Tarnowskiego, obraz wydaje się stanowić inspiracje do tej części Baletu. Stąd zilustrowanie muzyki do ostatniej części Baletu fragmentami obrazu Artura Grottgera.] Kolejność ma być wedle partytury następująca: Khelas, Gitana, (Khelas ze śpiewem tu pominietym), Gitana, Eros i Psyche – część A, Gitana, Eros i Psyche – cześć B z gonitwą za motylem. Opera ta jest oparta na opowiadaniu Washingtona Irvinga opublikowanym w "Tales of the Alhambra', autorem libretta był Wladysław Tarnowski, który także przetłumaczył opowiadanie (Powieść o księciu Ahmedzie al Kamel albo o pielgrzymie miłości.) Akcja opery dzieje się na terenie dzisiejszej Hiszpanii a głównym bohaterem jest syn władcy Grenady. Partytura: Władysław Tarnowski ps. Ernest Buława, Hofmeister podaje jako czas publikacji październik 1877, str. 306. Wykonanie: Marcin Tarnowski, (M.Tarnowski (talk) 13:39, 21 January 2017 (UTC)) styczeń 2017.

Luigi Boccherini's Sonata for Two Cellos in C Major, 1st movement: Allegro moderato performed by Alisa Weilerstein and 8 year-old Sujari Britt at the w:White House Evening of Classical Music

This Endris Night, a fifteenth-century English carol performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010. CSM Debra L. McGarity

The "Warrior's Dance" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Canciones De Las Luminosas Trincheras De Combate

Tango "El día que me quieras" de Carlos Gardel y Alfredo Le Pera Tango "El día que me quieras" ("The day you love me"), by Carlos Gardel and Alfredo Le Pera

The "March of the Mogul Emperors" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

O frondens virga by Hildegard of Bingen, performed live. From Ordo Virtutum O frondens virga, In tua nobilitate stans, sicut aurora procedit. Nunc gaude et laetare et nos debiles dignare a mala consuetudine liberare, atque manum tuam porrige ad erigendum nos.

Air de Cour "Je suis ravi de mon Uranie" von Étienne MouliniéJe suis ravi de mon Uranie, Toute beauté pres d'elle est ternie:Jamais l'amour dedans ces boisN'en a fait voir, n'y regner de pareille,C'est une merveille,Sa seule voixPeut dompter, et sousmettre les plus grands Roys.

Piano concerto no. 2 in c minor, op. 18 - ii. adagio sostenuto

Sequence "Victimae Paschali Laudes", traditionally attributed to Wipo of Burgundy. For text, see Victimae Paschali Laudes. For an image of a score (not the one I performed from) see this gif. Recorded using GarageBand with some reverb added. Normalised using Audacity. It is a single continuous take. Time: 1:49.

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Title Christian Mass, singing Hallelujah Artist stephan Original mp3 data Length:0:19 minutes (376.57 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Christianity, Church, ecumenical, Hallelujah, Mass, Organ play, Parish, People, Religion, singing Type Single Subject, Natural, Human PDSounds record number 294 Comment May 27, 2007 - Church of Christ the King (1927), Leverkusen, Germany. The parishioners sing "Hallelujah" with organ play.

Recorded on Dec 2nd,1889. Brahms plays J.Strauss.